
Giulio Cesare review – concert staging with plenty of sublime, and ridiculous, moments
There is a passage at the end of Act 1 of Handel’s Giulio Cesare when a mother and son sing together, unaccompanied, united by loss. In this no-frills concert staging, mezzo-sopranos Beth Taylor (Cornelia) and Paula Murrihy (Sesto, a trouser role) faced …